Friday, July 8, 2011

Featured Today! "Swallow The Sun, In Extremo..."

Hello L&D listeners!

Finally is Friday!! With some crazy storms here but that don't stop L&D to bring you the best everyday! Want to thank all of you for your constant support and requests so after this random annoyance Here's today Featured Bands!

"Swallow The Sun"
Source: StS Official...
Swallow The Sun (FI) - The death/doom luminaries of Finland, Swallow the Sun, started at the turn of the millennium when guitarist Juha Raivio collected a group of friends around him. The band's first recording, Out of this Gloomy Light demo, was recorded in January 2003 and has become a rare collectors item. This demo also brought them their first record deal with Firebox Records. With their debut The Morning Never Came Swallow the Sun were elected newcomer of the year by Inferno Magazine and received a full 5 K review in Kerrang. The album was quoted: “One of doom metals finest moments to date”. Ghosts of loss, the band's second full length album climbed to number 8 on the Finnish album charts. This rare occasion, along with heavy touring both in Finland and abroad, laid the groundwork for Swallow the Sun's skyrocketing success. In September 2006 Swallow the Sun recorded Hope, which was released in January 2007, and hit position 3 on the Official Finnish Album Chart, a feat never before achieved anywhere in the world with a doom album and an achievement which “undoubtedly won't be repeated unless Swallow the Sun do it themselves”. The 2008 release, Plague of Butterflies EP is a 35 minute long three part song of crushing gloom, beauty and despair. It is the story of an old hermit, deep woods, loneliness and the plague. The release also included the rare Out of This Gloomy Light demo that got them signed back in 2003. Never before has the band shown such polarity, ranging from demented screams of desperation to moving, heartrending melodic passages. Plague of Butterflies was released on September 17th in Europe by Spinefarm Records where it crashed into the Number 1 spot on the Finnish charts in its first week. The EP was released in the US on September 23rd, and was followed by an extensive Finnish and American tour in early 2009. On May 18th 2009 Swallow the Sun announced that Kai Hahto of Wintersun will be joining to fill the void left by former drummer Pasi Pasanen. During June and July 2009 Swallow the Sun spent three weeks in Fascination Street studios in Sweden with producer Jens Bogren, recording their  full length New Moon. The album was released worldwide through Spinefarm records in November 2009 and it been the last for now. Swallow The Sun quotes: "So this year, 2011, we are going to keep things a bit more quiet and start preparing for the next Swallow the Sun album, which will be released at the end of this year or in the beginning of 2012... yeah, if the world doesn't end! Ten new songs are already in the works, but we are not going to rush with recording, album release or new tours because our bodies, hair and especially livers just can't handle it yet, folks!! We might do a few selected shows and festivals this year if it fits in with our plans, but otherwise this year is going to be a dark road of solitude towards new depths of gloom, beauty and despair – the 6th chapter of Swallow the Sun. Long, dark winter wishes to everybody."


"In Extremo"
Source: In Extremo Official...
In Extremo (DE) - The band's musical style combines metal with medieval traditional songs, blending the sound of the standard rock/metal instruments with historical instruments (such as bagpipes, harp, hurdy-gurdy and shawm). Versions of well-known traditional/medieval ballads make up the main part of their repertoire, but the band has written an increasing share of original material in recent years. Their own material is written in German, whilst the traditional songs are in a variety of languages, including Gaelic, Spanish, English, Norwegian, Swedish, Icelandic, French, Estonian, Galician, Hebrew, Latin, Occitan, Old High German. In Extremo (abbreviated InEx, or just IE) began as two projects: a nameless, purely medieval band, and a rock band. They became known at that time through frequent appearances at medieval market meetings, at which they performed their acoustic pieces and sold CDs of their renditions of traditional songs. During the recording for the 1995 season, Michael Rhein (alias Das letzte Einhorn, engl. "The Last Unicorn") found the project name "In Extremo," Latin for "At The Edge." Most of the band members perform under stage names. The initial members of the medieval band were Das letzte Einhorn (engl. "The Last Unicorn," vocals), Flex der Biegsame (engl. "Flex the Flexible," bagpipes), Dr. Pymonte (bagpipes), Conny Fuchs (who left the band before the official release date, due to her pregnancy by Dr. Pymonte) and Sen Pusterbalg (replaced shortly after the official release by Yellow Pfeiffer, engl. "Yellow Piper," bagpipes). The rock band originally consisted of Thomas der Münzer (engl. "Thomas the Coiner," guitar), Der Morgenstern (engl. "The Morning Star," drums), and Die Lutter (engl. "The Lutter," bass guitar). Der Münzer subsequently left the band and, as of 2007, the band's guitarist is Van Lange(engl. "The Long One"). As noted below, almost all of the band members play multiple instruments. In August 1996, they began work on the first In Extremo album, which already contained two tracks of the new rock project. Because the album had no official name, it became known as In Extremo Gold because of the golden covers. In February 1997, like the single Der Galgen (engl. "The Gallows"), it quickly sold out in Medieval markets. The increasing number of visitors, success of their CDs, and the popular interest, as well as cross-pollination from groups such as Corvus Corax and Bathory, encouraged In Extremo in 1995 to attempt to start a band combining bagpipes and other traditional instruments with rock guitars. The result was the current incarnation of In Extremo, a rock group that integrates modern instruments like the drum set, electric bass and guitar with the acoustic elements previously used for the medieval songs, and which plays both types of music as well as a hybrid of the two. In Extremo played separately as a medieval and a rock band, until on March 29, 1997, when they played their first live rock concert. Since that time, they have given this date as their date of establishment. The two projects were officially merged on January 11, 1998. April 1998 saw the first "high occupancy" In Extremo concert in the Rabenstein castle in Brandenburg. Over the years, their music became more heavy metal based, while at the same time becoming increasingly commercially successful. The classical instruments, however – bagpipes, shawms, and lutes – still play a large role. The band is likewise noted for their conspicuous stage costumes and known for using pyrotechnics in their concerts, including Der Morgenstern playing cymbals which have been set on fire.Besides the electric guitar, bass, and drum set, In Extremo defines itself by unconventional (for a rock band) instruments mainly of medieval origin. They include hurdy-gurdy, bagpipes,Uilleann Pipes, shawm, nyckelharpa, harp, cittern, tromba marina, hammered dulcimer, Klangbaum, and various types of drums and percussion. Bagpipes are the most conspicuous of these instruments, as Dr. Pymonte, Yellow Pfeiffer, and Flex der Biegsame all play bagpipes, sometimes all three at once. All of the band members play multiple instruments, and frequently rotate instruments between songs; Das letzte Einhorn frequently plays a cittern during certain songs, such as Ai Vis A Lo Lop. On 26 February 2010 In Extremo announced that Der Morgenstern left the band because of musical differences via their homepage. On June 11, Florian "Specki T.D." Speckardt was announced as his replacement on drums. Their bagpipes were partially made by Dr. Pymonte, but are also partially built by a well-known pipe builder. The band also uses a custom-built frame drum covered in zebra skin, calledDas Pferd (engl. "The Horse"). Most of the other acoustic instruments, such as their shawms, are only made by a few other instrument builders. Some lyrics are not written by the band, but come – like the instruments – from traditional songs written during the Middle Ages and Renaissance. Many of the lyrics to the band's repertoire of medieval songs come from church writings (e.g. Merseburger Zaubersprüche, Wessebronner Gebet), Benedictine writings (e.g. Raue See), or are "trad. arr.", meaning traditional songs with unknown authors, rearranged by the band (e.g. Tannhuser, Poc Vecem). The band also frequently uses songs from the Carmina Burana, a medieval collection of songs, as well as lyrics written as poetry by the 15th-century French poet François Villon (Rotes Haar, engl. "Red Hair," and Erdbeermund, engl. "Strawberry Mouth," translated into German by Paul Zech). The band also uses poems from later writers such as Johann Wolfgang von Goethe (Der Rattenfänger, engl. "The Ratcatcher") and Ludwig Uhland, who wrote Des Sängers Fluch (engl. "The Singer's Curse") – which In Extremo changed to be called Spielmannsfluch (engl. "The Minstrel's Curse"). For the album Mein Rasend Herz, In Extremo originally wrote the lyrics to the song "Liam" in German, after which it was translated into Gaelic by Rea Garvey, who was also a guest singer on the song. Their Latets Album "Sterneneisen" was released February 25th 2011, Kluseba from Metal Archives (Encyclopaedia Metallum©) quotes: "In the end, I must admit that with the exception of the mediocre title track "Sterneneisen" and maybe the closing ballad "Vermiss dich", there are only brilliant tracks and even bonus tracks on the record that present the band at the summit of its creativity. The album is easily comparable to the previous "Saengerkrieg" but added a few interesting guest performances and experiments and the band truly took its time to work out each one of the songs which wasn't the case on the previous release. I'm sure that this final result is the best thing the band was able to create and they should be proud of what they have achieved. I was really afraid that they could get more and more commercial and ordinary but even though they almost completely changed their style in one decade the band is absolutely unique and they are simply the leaders of an entire and very popular genre in Germany and I don't see any band that would come close to them. This album is almost perfect and surely amongst the best albums of the year 2011." And I Must agree this album yells for "Best '11 Album" (SW)...

~Thanks for your support! Enjoy!
Keep'n Metal \m/

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